Essays
HG × JD
Doggerland
2017
Period Piece
A-or-ist #2
2016
Being and Doing, on Moyra Davey’s ‘The Revenants’
Wilfried Lentz Gallery
2015
Francesca Woodman’s Precarious Architectures
A-or-ist #1
2015
Seeing Through, on Agnes Martin
Eros, The Interior
2015
Art Texts
Letter from Athens
Art Monthly
2016
The Missing Parts of Collective Memory, Kader Attia and Françoise Vergès
100 Years of Now Journal, HKW
2016
Self Resolution
Self
2016
Domesticity vs. Boxing, Jesse Darling
South London Gallery
2015
Creature-Film, João Maria Gusmão and Pedro Paiva
The Photographer's Gallery
2015
You get around a bit then, co-written with Ed Attlee
StepAway Magazine
2013
The sentence that idles
South London Gallery
2013
Interviews
Morehshin Allahyari, Dark Matters
Ibraaz
2017
Kader Attia, Archival Impulse
Apollo
2015
Moyra Davey
The White Review
2015
Juliet Jacques, Trans-Historical Narratives
The New Inquiry
2015
Reviews
Audre Lorde, Your Silence Will Not Protect You
FT Life & Arts
2017
‘Black Mountain College: An Interdisciplinary Experiment’ at Hamburger Bahnhof, Berlin
ICON
2015
Breakfast in Naples
London Review of Breakfasts
2013
Channa Horwitz, ‘Counting in Eight, Moving in Colour’ at KW Institute for Contemporary Art, Berlin
ICON
2015
Encounters: Lyotard & Monory
Frieze
2013
Everyday End-times, Black Wave by Michelle Tea
FT Life & Arts
2017
Feminist Porn and the Impossible Subject
The Quietus
2013
‘Gestures’, GCC, Berlin
Frieze
2017
On Immunity by Eula Biss
New Humanist
2015
The Lonely City: Adventures in the Art of Being Alone by Olivia Laing
FT Life & Arts
2013
‘Mene Mene Tekel Parsin’, Wysing Arts Centre
Art Monthly
2017
Postcard from Varese
Frieze
2014
Review in Retrospect – Art & Language’s ‘Air-Conditioning Show’
A-or-ist #1
2016
Virtuoso Listening, Eliane Radigue
The Wire
2012