thin transportation |
GUTS art space |
Art text |
Poetry |
2023 |
‘Fire Is of the Imagination’, on Bassem Saad at Triangle – Astérides |
Texte zur Kunst |
Review |
Art |
2023 |
Notebook Score #3: A love that ties your identity to the world |
Ignota |
Reading |
Life |
2023 |
You Are a Wave and I Am a Wave |
HKW Berlin |
Reading |
Poetry |
2022 |
After Bewilderment |
Altered States, Ignota |
Poetry |
Literature |
2021 |
Dark Matters: In Conversation with Morehshin Allahyari |
Magic, Documents of Contemporary Art |
Book Contrib |
Art |
2021 |
Faraway Sisters |
The New Inquiry |
Essay |
Life |
2020 |
Notebook Score #2: The line of the hand throws the mind out of the body |
Flatness |
Reading |
Life |
2020 |
Selva Oscura, Jesse Darling |
Galerie Sultana |
Art text |
Art |
2019 |
Notebook Score #1: Do you feel like a daughter, still? |
Lampenfieber |
Reading |
Life |
2019 |
Berlin Isn’t the New Berlin |
Study Hall |
Essay |
Places |
2019 |
Be in touch |
NOME Gallery |
Essay |
Art |
2019 |
Kader Attia: Paths of Repair |
Hayward Gallery |
Tour |
Art |
2019 |
Some Proximity, Adam Linder |
MUDAM |
Live writing |
Art |
2019 |
Jesse Darling, ‘The Ballad of Saint Jerome’ |
Art Papers |
Review |
Art |
2019 |
Volumes of Words |
The Architectural Review |
Essay |
Literature |
2018 |
Exhibitions of the Year |
Elephant |
Review |
Art |
2018 |
The Annotated Reader, Bhanu Kapil |
Ryan Gander’s Studio |
Art text |
Literature |
2018 |
Time Torn, Kader Attia |
Afterall |
Essay |
Art |
2018 |
Hong Kong’s Hidden Art Spaces |
Elephant |
Letter |
Art |
2018 |
‘From Ear to Ear to Eye’, Nottingham Contemporary |
The Wire |
Review |
Art |
2018 |
What remains? |
patten: 3049 |
Essay |
Life |
2018 |
Aria Dean, American Medium |
Flash Art |
Review |
Art |
2018 |
The defiant jokes of Jimmie Durham |
Apollo |
Review |
Art |
2017 |
Audre Lorde, Your Silence Will Not Protect You |
FT Life & Arts |
Review |
Literature |
2017 |
Teresa Burga, Galerie Barbara Thumm,
Berlin |
Frieze |
Review |
Art |
2017 |
‘Mene Mene Tekel Parsin’, Wysing Arts Centre, UK |
Art Monthly |
Review |
Art |
2017 |
Miso Memory |
Food Memory Bank |
Essay |
Food |
2017 |
HG × JD |
Doggerland |
Essay |
Art |
2017 |
GCC, ‘Gestures’ at Kraupa-Tuskany Zeidler, Berlin |
Frieze |
Review |
Art |
2017 |
Everyday End-times, Black Wave by Michelle Tea |
FT Life & Arts |
Review |
Literature |
2017 |
Dark Matters, conversation with Morehshin Allahyari |
Ibraaz |
Interview |
Art |
2017 |
Reading as impasse / Reading into action |
Kunsthall Bergen |
Paper |
Art |
2016 |
The Missing Parts of Collective Memory, on Kader Attia and Françoise Vergès |
HKW, 100 Years of Now Journal |
Essay |
Art |
2016 |
Sidsel Meineche Hansen, Hacking the Pornographic Body |
POSTMatter |
Feature |
Art |
2016 |
Period Piece |
Aorist |
Essay |
Art |
2016 |
Letter From Athens |
Art Monthly |
Letter |
Art |
2016 |
‘And No Animal Is Without Enemy’, Cubitt Gallery, London |
aqnb |
Review |
Art |
2016 |
Seismographic Sounds by Norient |
The Wire |
Review |
Music |
2016 |
The Lonely City: Adventures in the Art of Being Alone by Olivia Laing |
FT Life & Arts |
Review |
Literature |
2016 |
Just Unreal Enough, Hatsune Miku |
POSTMatter |
Feature |
Music |
2016 |
Musical Objects, 3hd Festival, Berlin |
POSTMatter |
Review |
Music |
2015 |
Seeing Through, on Agnes Martin |
Eros Journal |
Essay |
Art |
2015 |
‘Porn to Pizza – Domestic Clichés’, DAM, Berlin |
POSTMatter |
Review |
Art |
2015 |
Trans-Historical Narratives, an interview with Juliet Jacques |
The New Inquiry |
Interview |
Literature |
2015 |
Review in Retrospect – Art & Language’s ‘The Air-Conditioning Show’ |
Aorist |
Review |
Art |
2015 |
Francesca Woodman’s Precarious Architectures |
Aorist |
Essay |
Art |
2015 |
Black Mountain College, Hamburger Bahnhof, Berlin |
ICON |
Review |
Art |
2015 |
Interview with Moyra Davey |
The White Review |
Interview |
Art |
2015 |
Channa Horwitz, KW, Berlin |
ICON |
Review |
Art |
2015 |
On Immunity by Eula Biss |
New Humanist |
Review |
Literature |
2015 |
Domesticity vs. Boxing, Jesse Darling |
South London Gallery |
Art text |
Art |
2015 |
Viral Compositions, James Hoff |
POSTMatter |
Profile |
Art |
2015 |
Archival Impulse, an interview with Kader Attia |
Apollo |
Interview |
Art |
2015 |
Being and Doing, on Moyra Davey and Jean Genet |
Wilfried Lentz |
Essay |
Art |
2015 |
Capture All, Transmediale, Berlin |
POSTMatter |
Review |
Art |
2015 |
Creature-Film: João Maria Gusmão and Pedro Paiva |
The Photographer’s Gallery |
Essay |
Art |
2015 |
‘The Mechanical Garden and Other Long Encores’, London |
The Wire |
Review |
Art |
2015 |
‘Seroxat, Smirnoff, THC’, Laura Oldfield Ford in the suburbs |
ICON |
Review |
Art |
2014 |
‘The Promise’, Bristol Arnolfini |
ICON |
Review |
Architecture |
2014 |
Postcard from Varese |
Frieze |
Letter |
Art |
2014 |
Erba Brusca, Milan |
London Review of Breakfasts |
Review |
Food |
2014 |
Nathalie Du Pasquier |
Disegno |
Feature |
Design |
2014 |
Where You Are, Visual Editions |
ICON |
Review |
Literature |
2014 |
‘Memory Palace’, Victoria & Albert Museum, London |
ICON |
Review |
Art |
2014 |
Elmgreen & Dragset, ‘Tomorrow’, Victoria & Albert Museum, London |
Domus |
Review |
Art |
2014 |
Zaha Hadid, Serpentine Sackler Gallery,
London |
Domus |
Review |
Architecture |
2013 |
Interview with Chris Petit |
The White Review |
Interview |
Literature |
2013 |
You get around a bit then |
StepAway |
Poetry |
Literature |
2013 |
Culinary Playground, Ferran Adrià and the Art of Food |
Domus |
Review |
Food |
2013 |
James Turrell, ‘Aten Reign’, The Guggenheim, NYC |
Domus |
Review |
Art |
2013 |
Donald Judd’s 101 Spring St, NYC |
Domus |
Feature |
Art |
2013 |
Le Corbusier, ‘An Atlas of Modern Landscapes’, MoMA |
Domus |
Review |
Architecture |
2013 |
On Google Glass |
Domus |
Essay |
Design |
2013 |
Networked Devices and Urban Space, interview with Adam Greenfield |
Domus |
Interview |
Design |
2013 |
Breakfast in Naples |
London Review of Breakfasts |
Essay |
Food |
2013 |
Encounters: Lyotard & Monory |
Frieze |
Review |
Art |
2013 |
The sentence that idles |
South London Gallery |
Art text |
Art |
2013 |
Emptyset, Sounding Space |
The Wire |
Review |
Music |
2013 |
Feminist Porn and the Impossible Subject |
The Quietus Books |
Essay |
Literature |
2013 |
Eliane Radigue, Virtuoso Listening |
The Wire |
Review |
Music |
2012 |
Peter Fraser, ‘A City in the Mind’,
London |
ICON |
Review |
Art |
2012 |
Flowers of Grass by Takehiko Fukunaga |
TLS |
Review |
Literature |
2012 |
‘Model Home’, Rock Bund Art Museum,
Shanghai |
Blueprint |
Review |
Architecture |
2012 |
The Buzz in Budapest |
Condé Nast Traveller |
Feature |
Places |
2012 |
LUX/ICA Biennial of Moving Images, London |
The Quietus Film |
Review |
Film |
2012 |
Sarah Harvey, ‘Opus Pericardium’, London |
The Wire |
Review |
Art |
2012 |
Yannis Kyriakides, Narratives 1: Dreams |
The Wire |
Review |
Music |
2012 |
Reel Gone: A Useful Life and Cinema’s Premature Nostalgia |
The Quietus Film |
Review |
Film |
2012 |
‘Boy: A Contemporary Portrait’, Leo Xu Projects, Shanghai |
Frieze |
Review |
Art |
2012 |
‘British Design 1948–2012’, Victoria &
Albert Museum |
ICON |
Review |
Design |
2012 |
Interview with Brian Dillon |
The White Review |
Interview |
Literature |
2012 |
The Paris High-Line |
Metropolitan Magazine |
Feature |
Places |
2012 |
I Look at People, interview with Claire Denis |
The Quietus Film |
Interview |
Film |
2011 |
Sound and Space Architecture Report |
Stylus Spaces |
Report |
Architecture |
2011 |
London Architecture Festival, ‘The Playful City’ |
Stylus |
Report |
Architecture |
2011 |
Bad Upholstery & Vacant Silences: The Unloved |
The Quietus Film |
Review |
Film |
2010 |
Yves Saint Laurent, Le Petit Palais,
Paris |
Dossier |
Review |
Film |
2010 |
Deconstructing Maison Martin Margiela |
Dossier |
Essay |
Fashion |
2010 |
Touched by Fire, Martin d'Orgeval |
Bizarre Magazine |
Feature |
Art |
2010 |
Silent Steps |
Vertigo of the Modern |
Short story |
Literature |
2009 |
Jealousy, The Other Life of Catherine M, Catherine Millet |
New Statesman |
Review |
Literature |
2009 |
Virginie Despentes |
Plan B |
Feature |
Feminism |
2009 |
Poster Children: Died Young, Stayed Pretty |
The Quietus Film |
Review |
Film |
2009 |
Faïza Guène |
Venus Magazine |
Interview |
Literature |
2009 |